Posts Tagged ‘Demons’

The-National-Trouble-Will-Find-Me-608x608With each full-length from Brooklyn’s The National, the band has progressed and grown in sound and scope. They continue the trend with their sixth LP, Trouble Will Find Me. While—for me personally at least—the novelty of The National’s sound may have worn off a bit considering I listened to Alligator, Boxer, and High Violet about a trillion times each, their new material is certainly as solid as anything they’ve released, and will be unanimously praised by fans of their prior work.

Trouble sees vocalist Matt Berninger stretching his limits like never before. On opener “I Should Live In Salt,” he sings in a higher register than normal, almost sounding like a normal indie band vocalist instead of the baritone bass crooner we know him as.  His whimsical ruminations rise to the forefront on songs like “Heavenfaced” and “Fireproof” in a way they usually don’t—most of the time, Berninger’s lyrics lurk behind the groove, rather than standing out front. Personal stories, regrets, worries, tales of love and loss—Berninger doesn’t break too much new ground here lyrically, but as per usual submits his lines expertly and humorously.

I’m also intrigued by the odd time signatures that occasionally crop up within Trouble Will Find Me. It’s most notable in lead single “Demons,” where an otherwise-standard National song is made unique thanks to a 7/8 groove, lead by drummer Bryan Devendorf. Devendorf’s parts seem a little less frenetic and busy than usual, opting instead to support the tunes tastefully rather than stealing the spotlight.

Some of the songs on Trouble are classic National (“Graceless,” “Don’t Swallow The Cap,” “Humiliation”) while some are more whimsy and fleeting than usual (“Heavenfaced,” “I Need My Girl”). “Pink Rabbits” utilizes a nice slow swing/shuffle type of groove that suits the band well, especially Berninger’s somber illustrations of his experiences. Closer “Hard to Find” ends the album with a subdued piano ballad, only introducing a light percussion part in the final minute—a cerebral closing to an album that sees the band covering some new ground.

I can’t say Trouble Will Find Me is blowing me away like 2007’s Boxer or even the band’s earlier records did, but as I said, it might just be that the charm wore off a little. That’s not The National’s fault, it’s mine. In addition, most National albums take a few weeks to really settle in and grow on the listener, so I’ll probably be more stoked on Trouble by the summer.

It may seem obvious, but I’ll say it anyway: those who already enjoy The National will like this record, and the band’s detractors, who might foolishly label this music “boring,” probably won’t find a whole lot to gravitate toward this time around. Even so, Trouble Will Find Me continues this band’s incredible growth and expansion, and is a solid addition to their existing powerhouse of a catalog.

~ J.M.